1 00:01:36,520 --> 00:01:49,860 Sally (reading her novel): Jim! Jim! I won't scream or cry! Not once! I promise! Hear me! Speak to me! Have mercy on me, but for heaven's sake, tell me what I've done! Oh, I didn't say, Johnny! 2 00:01:50,000 --> 00:02:09,340 Sally (reading her novel): I didn't do it. I swear. Don't look at me that way. No, no, no, no. For Betty's sake, you're killing me. Take your hands away. I can't confess. For your own sake. For mine. Stop before you spill my blood. I have been through 3 00:02:09,340 --> 00:02:09,640 Sally (reading her novel): to you. 4 00:02:10,000 --> 00:02:11,440 Sally (reading her novel): My guilty soul I have. 5 00:02:12,020 --> 00:02:15,860 Gregory: Oh, my sandwich! Who threw the overalls in Mrs. Clancy's chowder? 6 00:02:18,600 --> 00:02:22,560 Guests; individual turns unresolved: [wording uncertain] Gregory, you pig, you little... Life in the pie. Really think that's funny? Clark 7 00:02:22,560 --> 00:02:23,640 Unidentified guest: goes to the atmosphere. 8 00:02:24,640 --> 00:02:29,840 Gregory: Well, well, how are all the married little murderers? Hard at it, eh? Just dripping on. 9 00:02:30,400 --> 00:02:32,660 Gregory: My idea of a jolly house party. 10 00:02:33,380 --> 00:02:37,700 Blonde guest (not Sally)?: Oh, he's just peeve because nobody will play his silly old ping pong with him. 11 00:02:39,320 --> 00:02:41,080 Female guest?: Sally was just reading us our last chapter. 12 00:02:42,480 --> 00:02:49,340 Gregory: Really? Your last chapter? Sally, darling, can I depend on that? Say it again. Slower this time. 13 00:02:50,860 --> 00:02:52,060 Gregory: I'm a weak woman. 14 00:02:54,760 --> 00:03:00,900 Gregory: What ho, call after Mary Villager. Let's be dancing in the streets. Let's revel. Because it's Sally's last chapter. 15 00:03:01,940 --> 00:03:06,960 Sally: No, darling. It's only my latest chapter. And I've contracted for two more books. 16 00:03:08,680 --> 00:03:09,980 Gregory: Honey, do you mind telling me... 17 00:03:10,000 --> 00:03:11,820 Gregory: where we're going to fit in our wedding day 18 00:03:11,820 --> 00:03:17,580 Sally: between my next two novels death walks in darkness and murder in the morgue 19 00:03:17,580 --> 00:03:23,460 Gregory: goodie goodie grandma and let's have corpse candles on the wedding cake speaking 20 00:03:23,460 --> 00:03:29,520 Thin older male guest: of weddings hilanzo smith used to drown his brides in a bathtub 21 00:03:30,000 --> 00:03:33,280 Thin older male guest: See, he would simply grab their feet like this. After 22 00:03:33,280 --> 00:03:36,340 Woman in patterned dress: this, I lock my bathroom door. 23 00:03:36,660 --> 00:03:46,980 Thin older male guest: Calm yourself, my own. I never slay my wives without just cause, such as not screwing the cap on the toothpaste. 24 00:03:47,440 --> 00:03:48,940 Woman in patterned dress: My hero. 25 00:03:50,060 --> 00:03:52,660 Woman in patterned dress?: More like a friend than a husband to me. 26 00:03:53,380 --> 00:03:55,140 Thin older male guest?: More like a dear old bear. 27 00:04:06,600 --> 00:04:09,040 Unidentified speaker: Oh, this isn't 28 00:04:09,040 --> 00:04:09,980 Blonde guest (not Sally): that wind just... 29 00:04:10,000 --> 00:04:14,640 Blonde guest (not Sally): It's too thrilling. It's just a sort of wild night when murders happen. 30 00:04:16,800 --> 00:04:29,640 Sally: And what a perfect place for a murder. A little rock bound island off a lonely coast. Pounding surf, a rising storm, a nature of mansion where the wind wails to the corny. 31 00:04:31,180 --> 00:04:32,940 Gregory?: Is that in quotes, my dear? 32 00:04:38,160 --> 00:04:43,220 Sally: Listen to that. That's Miss Aaron Chunk. Why, anything could happen here. 33 00:04:44,560 --> 00:04:45,300 Unidentified speaker: I 34 00:04:45,300 --> 00:04:49,320 Blonde guest (not Sally)?: just wish something would happen. Something nice and gruesome. 35 00:04:50,240 --> 00:04:54,700 Gregory: Gee, but you're a cheery lot. Sally, will you console me? 36 00:04:55,000 --> 00:04:56,500 Tom Austin: Sally, I haven't thought about the solution to that story. 37 00:04:56,840 --> 00:05:02,700 Gregory: Sixth nightly session of the Hawk Island Crime Club. Thomas Austin, well-known criminal lawyer in the chair. 38 00:05:04,660 --> 00:05:07,480 Tom Austin: How about the solution? I think your best out is to have the murderer confess. 39 00:05:07,820 --> 00:05:08,980 Sally: Do you think that's natural? 40 00:05:10,240 --> 00:05:20,760 Tom Austin: As natural as the rest of you are, my love. Well, confession is the one way we have escaping from ourselves. Two out of every three men would take that way, especially with the fear of death upon them. 41 00:05:21,080 --> 00:05:24,640 Sally: I'll remember that, Tom. Now, how about this legal matter we were discussing? 42 00:05:24,840 --> 00:05:27,200 Tom Austin: Let me see that script, and I'll tell you what the procedure is in the fitty parts. 43 00:05:27,320 --> 00:05:28,460 Unidentified speaker: I don't know, Miss Southerly. 44 00:05:30,000 --> 00:05:30,860 Gregory: I say, where's Madeline? 45 00:05:33,700 --> 00:05:39,180 Gregory: Tom! Tom! You haven't strangled your wife and shoved her up to the chimney, have you? 46 00:05:40,900 --> 00:05:43,560 Tom Austin: Madeline's out on the beach. She said she had a bit of a headache. 47 00:05:44,320 --> 00:05:47,680 Gregory: I wonder where's Mischa? Maybe he's got a headache too. 48 00:05:48,700 --> 00:05:53,800 Sally?: Headaches are simply marvelous. You can commit a headache, and nobody can prove it. 49 00:06:00,020 --> 00:06:03,640 Gregory: Misha's in the music. Alone with his arms. 50 00:06:16,060 --> 00:06:16,600 Gregory: Listen to him. 51 00:06:17,600 --> 00:06:19,020 Thin older male guest: That boy's sure enough a wizard. 52 00:06:21,780 --> 00:06:26,460 Woman in patterned dress: Oh, when I hear that man play, I could kiss him. 53 00:06:26,820 --> 00:06:27,160 Thin older male guest: Yes? 54 00:06:28,940 --> 00:06:31,800 Thin older male guest: Well, kiss me and hear a symphony. 55 00:06:39,440 --> 00:06:40,840 Unidentified speaker(s); wording unclear: [wording uncertain] I'm just 56 00:06:42,090 --> 00:06:44,050 Sally?: This is just too fast, isn't it? 57 00:06:45,750 --> 00:06:47,170 Tom Austin?: Oh, tell me. 58 00:06:48,210 --> 00:06:49,950 Sally?: Aren't you most greedy that you 59 00:06:50,220 --> 00:06:50,780 Sally?: Oh, 60 00:06:52,240 --> 00:06:57,500 Gregory / Tom Austin?; turn boundaries unclear: look out, will you? Now look what you see. Don't choke her off, Greg. This isn't the game old-nighties. 61 00:06:58,160 --> 00:07:00,880 Tom Austin: I don't question Madeline's friendships, if she doesn't question mine. 62 00:07:01,640 --> 00:07:03,400 Tom Austin?: Yes, what comes after friendships? 63 00:07:04,140 --> 00:07:04,480 Sally?: Love? 64 00:07:04,740 --> 00:07:05,960 Tom Austin?: No, alimony. 65 00:07:08,320 --> 00:07:09,700 Butler: Separate serve, sir. 66 00:07:10,000 --> 00:07:11,900 Gregory?: Oh boy, I could eat my own grandmother. 67 00:07:12,180 --> 00:07:13,280 Unidentified guest: Not without the digger-setter. 68 00:07:13,320 --> 00:07:16,040 Gregory / guest?: Oh, ain't for mine. Just stun it and drag it in. 69 00:07:17,160 --> 00:07:19,660 Woman in patterned dress?: I could be happy with a simple hard-boiled egg. 70 00:07:20,180 --> 00:07:21,580 Thin older male guest?: Hard-boiled egg, oh, you mean. 71 00:07:23,840 --> 00:07:28,260 Thin older male guest?: [wording uncertain] Mr. Music Master, who lies, ask guys, Macintosh, McSnelevich. 72 00:07:31,100 --> 00:07:34,420 Male voice; attribution unresolved: Go to the flesh, boy. Why? I feed my soul. 73 00:07:35,720 --> 00:07:36,800 Male voice; attribution unresolved: Swine, I like that. 74 00:07:37,320 --> 00:07:37,980 Male voice; attribution unresolved: Oh, hurry up. 75 00:07:38,120 --> 00:07:39,740 Unidentified speaker: I'm so hollow, I'm positively haunted. 76 00:07:40,080 --> 00:07:40,480 Unidentified speaker: Swine. 77 00:07:41,060 --> 00:07:42,000 Unidentified speaker: What, did you call me? 78 00:07:42,220 --> 00:07:44,480 Unidentified speaker: No, no, no, my love. No, no, doctor. 79 00:07:44,700 --> 00:07:44,760 Unidentified speaker: Yes? 80 00:07:51,080 --> 00:07:55,540 Tom Austin: I'll step upstairs and go over those legal points for you. Wait until after supper, Tom. 81 00:07:55,820 --> 00:07:58,200 Sally: Better get that while it's still fresh in my mind. I don't mind doing it 82 00:07:58,200 --> 00:07:58,620 Tom Austin: for you at all. 83 00:08:01,100 --> 00:08:02,400 Tom Austin: What a worthless ass man 84 00:08:02,400 --> 00:08:05,260 Gregory: is. Yeah, a fast worker. 85 00:08:06,320 --> 00:08:08,740 Sally: And what a bottle of I want you turned out to be. 86 00:08:28,940 --> 00:08:29,820 Gregory?: [wording uncertain] The ideal lover. 87 00:08:48,580 --> 00:08:49,980 Guest at buffet; attribution unresolved: [wording uncertain] Here, Harriet. Have a second, Julie. 88 00:09:07,880 --> 00:09:09,700 Woman in patterned dress: [wording uncertain] Don't bother your silly little head. 89 00:09:10,000 --> 00:09:10,620 Woman in patterned dress: [wording uncertain] about marriage. 90 00:10:14,520 --> 00:10:29,620 Guest calling from supper table?: [wording uncertain] Call Moody, Professor! Help the gas refuges! 91 00:10:40,260 --> 00:10:46,920 Thin older male guest?: Uncle! Uncle! You can't help it! Come on, big boy! Say it back! 92 00:11:35,560 --> 00:11:49,240 Guests at supper; individual turns unresolved: [wording uncertain] You have to take a look at that itch. It has a certain amount of effort. It's ten minutes. Poor Tom. He's missing everything. Don't you not get touched. It's so hard to get back. 93 00:11:58,180 --> 00:12:01,860 Woman in patterned dress: It makes me feel just full of soul. 94 00:12:10,000 --> 00:12:11,520 Misha: There is nothing to fear. 95 00:12:11,720 --> 00:12:15,360 Madeline: That's all you know about it. Tom, there was so much to protect us. 96 00:12:15,580 --> 00:12:24,180 Misha: But Tom, Tom is a mole. A pink-nosed mole. A mole that grabs in the dark while we soar to the stars. 97 00:12:25,240 --> 00:12:28,280 Madeline?: Tom, I love it! I love it! 98 00:12:35,380 --> 00:12:38,340 Misha: My little rabbit. It's nothing but the wind. 99 00:12:38,760 --> 00:12:40,440 Madeline: Someone was hiding there. Someone was hiding. 100 00:12:43,520 --> 00:12:48,760 Misha: Let's see. Nobody is hiding here. Nobody is behind this green. 101 00:12:51,400 --> 00:12:53,340 Misha: Oh, your little heart is beating. 102 00:12:53,640 --> 00:12:54,400 Madeline: Stop it now, stop it. 103 00:12:58,460 --> 00:13:00,600 Madeline: Off the mountain, come in for the living room. You go on the supper. 104 00:13:00,840 --> 00:13:04,320 Misha: Every minute until I see you again will be a thousand years. 105 00:13:34,500 --> 00:13:36,940 Guest at supper; attribution unresolved: Each other's swell herrings, can I, boy? 106 00:14:05,220 --> 00:14:08,600 Guest at supper; attribution unresolved: [wording uncertain] I get snappin' 107 00:14:18,740 --> 00:14:23,060 Female guest?: Oh, Missa, you look correct. Dear lady, 108 00:14:23,740 --> 00:14:24,500 Misha?: Doesn't that plane 109 00:14:24,500 --> 00:14:27,440 Female guest?: take an awful lot out of you? Dear lady, 110 00:14:28,200 --> 00:14:28,800 Misha?: You 111 00:14:28,800 --> 00:14:29,980 Female guest?: give so much. 112 00:14:30,000 --> 00:14:36,520 Misha: It is my pleasure to play and I give to my plane. I give till it hurts. 113 00:14:38,300 --> 00:14:38,320 Misha?: Greg! 114 00:14:40,460 --> 00:14:40,940 Misha?: My 115 00:14:40,940 --> 00:14:46,760 Female guest?: friend. Would you just give me another 116 00:14:46,760 --> 00:14:49,580 Misha: lump of sugar for us? Dearest lady. 117 00:14:50,560 --> 00:14:52,520 Misha: But where is our friend Tom? 118 00:14:53,020 --> 00:14:55,800 Guests at supper; individual turns unresolved: Not here. Tom went upstairs just to be more supper. 119 00:15:04,580 --> 00:15:06,140 Guests at supper; individual turns unresolved: Oh, listen to 120 00:15:06,140 --> 00:15:08,660 Guests discussing the storm; turns unresolved: that lovely, creepy rain. 121 00:15:10,840 --> 00:15:23,060 Guests discussing the storm; turns unresolved: Madeline's crazy not to come in. You know, it was on a night like this that those two women had their throats cut on the Isle of Show. You see, a sailor sneaked in on them. Sort 122 00:15:23,060 --> 00:15:24,780 Gregory?: of a wraith-like curse. 123 00:15:28,140 --> 00:15:29,820 Gregory?: Don't get excited. It's just Rogers. 124 00:15:31,240 --> 00:15:33,100 Rogers (sailor): I'd like a word with you, sir. 125 00:15:33,640 --> 00:15:40,200 Gregory: Why would you, Roger? Next regular meeting of the United Undertakers will be held in the morgue at midnight. 126 00:15:42,680 --> 00:15:44,460 Gregory: Slide to it, you crepe hangers. 127 00:15:45,540 --> 00:15:49,980 Rogers (sailor): There's the mail, sir, over on the table. And here's the key to the batteries in the air. 128 00:15:50,000 --> 00:15:50,460 Rogers (sailor): the launch 129 00:15:50,460 --> 00:15:53,080 Gregory: what do I do with it where it behind my ear. 130 00:15:54,720 --> 00:16:07,520 Rogers (sailor): That there Russian plan a player was saying he'd admired to put out the key to the game as a big storm breaking right now and I don't aim what with my room at this time and all the go cruising around looking for no 131 00:16:07,520 --> 00:16:09,840 Rogers (sailor): drowned in Russian. You stick. 132 00:16:10,000 --> 00:16:14,600 Rogers (sailor): They got their key right in your pocket. Ain't nobody gonna get off of this island unless you say so. 133 00:16:19,960 --> 00:16:22,600 Gregory: Well, I'll say it's about time you blew in. 134 00:16:23,040 --> 00:16:27,300 Madeline: I'd rather be gasly late. I've been out in the boathouse for hours waiting for the storm to blow over. 135 00:16:27,680 --> 00:16:28,980 Gregory: It's only just beginning. 136 00:16:30,000 --> 00:16:32,860 Gregory: You're going upstairs, you better tell that husband of yours to come on down to supper. 137 00:16:33,480 --> 00:16:37,600 Madeline: Oh. Wasn't Tom in there with you at supper? 138 00:16:38,400 --> 00:16:48,780 Gregory: No, he's been up in his room for the last half hour. You know, you're an awful silly kid to take such chances with storms. 139 00:16:51,280 --> 00:16:52,060 Madeline: Thank you, Greg. 140 00:16:54,320 --> 00:16:55,820 Madeline: Guess I'll go right into supper. 141 00:16:56,600 --> 00:16:59,000 Sally: Hello, Madeline. Where's the mail, Greg? 142 00:16:59,540 --> 00:17:00,260 Gregory: Weren't I mailing up? 143 00:17:00,540 --> 00:17:09,780 Sally: Even if that was good, I wouldn't like it. Tom wrote his secretary to send me the dope on the blagged-in case. The blagged-in case, you know, that's the poison candy affair, same as in my novel. 144 00:17:11,220 --> 00:17:12,660 Sally: Don't bother, Greg. 145 00:17:13,880 --> 00:17:15,160 Gregory?: Jamiah blags and you darfner. 146 00:17:16,240 --> 00:17:20,200 Sally: But I think I'll use cyanide, or maybe prusic acid. 147 00:17:21,440 --> 00:17:22,860 Gregory: You'll do nothing of the kind. 148 00:17:23,960 --> 00:17:24,860 Sally: Why, Greg. 149 00:17:25,520 --> 00:17:29,980 Gregory: See here, I'm fed up on this fiction murder racket. I asked you down here... 150 00:17:30,000 --> 00:17:37,620 Gregory: Well, what does a chap ask his fiancé to a house party for? And all you do is talk death, disease, and disaster with Tom Austin. 151 00:17:39,360 --> 00:17:41,420 Sally: You can always go and play with your other guests. 152 00:17:42,340 --> 00:17:49,980 Gregory: Like blazes I can. They're all sitting around, popeye with admiration, licking up your shop talk. The bullet in Adam's... 153 00:17:59,080 --> 00:18:07,820 Sally: It's all very well for someone who has inherited a couple of millions to sit around leading the mental life of an oyster and make wise cracks about people who hustle and work for a living. 154 00:18:10,060 --> 00:18:12,060 Sally: Why did you ask me to marry you? 155 00:18:12,860 --> 00:18:18,540 Gregory: Well, it wasn't because of your phony literary racket. If I wanted to fall in love with the writer, I'd have picked a real one. 156 00:18:19,200 --> 00:18:20,460 Sally: I didn't know you rare. 157 00:18:20,820 --> 00:18:23,620 Gregory: Yeah, I'd fall in love with Bernard Shaw, beard and all. 158 00:18:24,420 --> 00:18:27,920 Sally: And if I'd wanted to fall in love with money, I would have picked the Baron Roth trial. 159 00:18:28,380 --> 00:18:28,920 Gregory: Well, he's dead. 160 00:18:29,640 --> 00:18:29,980 Sally: So we... 161 00:18:30,000 --> 00:18:36,540 Sally: you only he knows it. And what did you silly old money amount to anyway unless you weren't it to sell 162 00:18:36,540 --> 00:18:48,360 Gregory: and what do you silly books amount to do you really think you're important to anybody writing those being being dime novels running around after a make believe situation like a kitten after a tale that isn't even there 163 00:18:48,360 --> 00:18:49,680 Sally: oh very well. 164 00:18:50,000 --> 00:18:57,240 Sally: If I'm such a silly, senseless, no-account idiot as you think, in kindness to you, we'll call our engagement off. 165 00:18:57,580 --> 00:19:02,580 Gregory: There you go again, mixing up fact and fiction. We can't be disengaged. We're in love with each other. 166 00:19:02,760 --> 00:19:04,940 Sally?: Oh, ideally, suit. 167 00:19:05,100 --> 00:19:08,200 Gregory: And we're going to be married. And have five children. 168 00:19:08,680 --> 00:19:09,020 Sally?: Ten. 169 00:19:09,440 --> 00:19:09,920 Gregory: Daddy. 170 00:19:10,000 --> 00:19:11,900 Gregory: And you're going to bust up that typewriter. 171 00:19:13,140 --> 00:19:25,240 Sally: I'm buying a dozen new ribbons for that typewriter, just as soon as I get off this island. And here's your ring. Our engagement's over. Feeny, Calport, all washed up. 172 00:19:25,560 --> 00:19:26,160 Misha: Dear Lady. 173 00:19:26,760 --> 00:19:28,700 Sally: Oh, mission. Now, do be nice to me. 174 00:19:28,820 --> 00:19:29,920 Gregory?: He's going to play our wedding march. 175 00:19:30,000 --> 00:19:31,400 Sally: There isn't going to be any wedding. 176 00:19:31,940 --> 00:19:43,160 Misha: Oh, oh, such a discord. I will go and play some music to calm your, what you call it, savage breath. Busan, chef, chef. 177 00:19:46,960 --> 00:19:48,460 Tom Austin: Hold on a minute, Sally. Here's your script. 178 00:19:50,000 --> 00:19:51,420 Sally: You're simply wonderful, Tom. 179 00:19:52,240 --> 00:20:01,140 Tom Austin: I've jotted down all the cases I could think of that were solved by the criminals and officials. But there's the Rygate Strangler, three-fingered jealous and that killed the baby in the hen house. 180 00:20:01,320 --> 00:20:01,720 Sally: I remember that. 181 00:20:02,140 --> 00:20:09,580 Tom Austin: Sophie Gebhardt, who strangled her liquids with piano wire. And that old man, I forget his name, who was smothered in the clothes press. 182 00:20:10,000 --> 00:20:11,460 Sally: You're thinking of that dotty Max? 183 00:20:11,660 --> 00:20:16,500 Tom Austin: No, no, that was the famous bathhouse case. I defended him in court. But I'll tell you all about it when we have supper. 184 00:20:16,720 --> 00:20:17,700 Gregory?: Oh, thanks, darling. 185 00:20:18,020 --> 00:20:19,000 Sally: Don't you speak to me. 186 00:20:21,540 --> 00:20:24,280 Gregory: Call the rotten nerd. Move over. 187 00:20:28,640 --> 00:20:29,880 Sally: What is it? Great. 188 00:20:30,980 --> 00:20:33,380 Gregory: Nothing, nothing. What do you take me for? 189 00:20:33,640 --> 00:20:35,800 Tom Austin: What's the matter, old man? I'll stay in for everything. 190 00:20:36,120 --> 00:20:36,820 Gregory?: Here, wait. Let me. 191 00:20:38,480 --> 00:20:38,940 Tom Austin: Here, hon. 192 00:20:42,200 --> 00:20:46,620 Gregory: Thanks, Tom. You wanted to supper. Go with him, Sally. I'm going to have it out with Misha. 193 00:20:58,300 --> 00:21:03,260 Sally: I hope Misha hasn't gotten to any more trouble. Greg must be sick of 194 00:21:03,260 --> 00:21:07,360 Tom Austin: helping him out. Misha's all right. We mustn't be too harsh on judging a genius. 195 00:21:10,000 --> 00:21:12,620 Madeline?: Mom, if you won't come to supper, supper comes to you. 196 00:21:13,660 --> 00:21:15,580 Tom Austin?: You live only to please me, don't you dear? 197 00:21:17,520 --> 00:21:20,620 Guests at supper; individual turns unresolved: Where is dear Misha? What made him stop playing? 198 00:21:23,220 --> 00:21:27,000 Guests at supper; individual turns unresolved: Doesn't that wind sound just like an organ? That 199 00:21:27,000 --> 00:21:29,520 Thin older male guest?: reminds me of the case of the old organist. 200 00:21:30,000 --> 00:21:47,360 Tom Austin?: He disappeared one winter night and months afterwards, oh many months afterwards, they found him stuffed in the pipe of the Cathedral organ. At least they found his head. 201 00:21:47,960 --> 00:21:49,980 Sally?: Oh Paul, stop it Paul, stop it. 202 00:21:50,000 --> 00:21:52,040 Woman in patterned dress?: I have the strangest premonition. 203 00:21:54,920 --> 00:21:57,980 Guests; individual turns unresolved: What can be happening? 204 00:22:00,920 --> 00:22:01,920 Guests; individual turns unresolved: What do you mean? 205 00:22:10,000 --> 00:22:10,840 Tom Austin?: What's it all about? 206 00:22:12,320 --> 00:22:14,460 Gregory: I've had all I want to stamp, Miss Roddy. Get out of my house! 207 00:22:14,740 --> 00:22:17,240 Misha: But there is no one on this filthy island for me to go. 208 00:22:17,480 --> 00:22:18,440 Gregory: Well, then keep out of my sight! 209 00:22:18,600 --> 00:22:20,920 Misha: I can't go! You crazy man! 210 00:22:21,340 --> 00:22:25,020 Gregory: That's all. Let me catch you sticking around. I warned you! 211 00:22:30,300 --> 00:22:33,060 Tom Austin?: You're not going after Gregory. Now put that in your pipe of smoke. 212 00:22:33,800 --> 00:22:34,960 Misha: I don't smoke any pipe! 213 00:22:35,240 --> 00:22:35,820 Tom Austin?: You better learn to smoke. 214 00:22:35,960 --> 00:22:40,580 Misha: [wording uncertain] No! Quiet! I'm leaving this home! I talk to my nurse! 215 00:22:41,000 --> 00:22:44,120 Male guest?: Let him go! The rain will cool him off. 216 00:23:00,100 --> 00:23:03,320 Barker (butler): Take pardon sir. Is this as you wish it sir? 217 00:23:04,100 --> 00:23:09,980 Gregory: Yes quite. Look here Barker. I wonder what you'd say if some... 218 00:23:10,820 --> 00:23:12,920 Gregory: One of our guests were missing. 219 00:23:13,780 --> 00:23:16,300 Barker (butler): I should doubtless say, very good, sir. 220 00:23:19,740 --> 00:23:28,600 Barker (butler): If I may make so bold, I should never mention to anyone what I've just seen and heard, sir. 221 00:23:31,560 --> 00:23:34,220 Blonde guest (not Sally): Oh, Harriet, dear, wasn't it all just too thrilling? 222 00:23:34,520 --> 00:23:36,340 Harriet? (woman in patterned dress): I told you I had a picture. I didn't tell. 223 00:23:36,840 --> 00:23:40,500 Female guest?: Bossa, did you bring what I like? If I don't get in it with something, I should pass out. 224 00:23:40,920 --> 00:23:43,400 Blonde guest (not Sally)?: Oh, Tom, it's so cute the way he pulled them off each other. 225 00:23:43,800 --> 00:23:47,500 Tom Austin?: You know I'm positively a boy. My fortune dollar says so. 226 00:23:48,340 --> 00:23:49,920 Tom Austin: Say, what was all this shooting for? 227 00:23:51,440 --> 00:23:53,940 Gregory: Shooting. Oh, you mean the row in there. 228 00:23:54,380 --> 00:23:54,400 Tom Austin: Yeah. 229 00:23:55,160 --> 00:23:58,340 Gregory: Nothing, old man. Just drop it. I'll see it through. 230 00:23:58,920 --> 00:24:00,740 Gregory?: Oh, Paul, what are you going to have? 231 00:24:01,740 --> 00:24:05,580 Paul? (older male guest): Oh, just a thimbleful of turpentine or a little shot of acid. 232 00:24:12,280 --> 00:24:15,740 Tom Austin: [wording uncertain] I don't worry about him he's all up to camp so 233 00:24:15,740 --> 00:24:21,960 Madeline: Tom you act as though pneumonia were a joke but when you yourself get so much as a snivel e cold you think you're dying 234 00:24:21,960 --> 00:24:24,320 Sally?: aren't you exaggerating 235 00:24:24,320 --> 00:24:29,880 Madeline: exaggerating my pink and white soul last time he had the grip Sally up until we everything 236 00:24:30,000 --> 00:24:38,260 Madeline: he'd ever done. But I mean everything. Getting ready to die clean and all that. I was ashamed to look him in the face for six months afterward. 237 00:24:40,600 --> 00:24:41,780 Madeline: Why are they so funny? 238 00:24:43,340 --> 00:24:46,500 Tom Austin: Not many of us would care to shuffle off with a guilty secret in his heart. 239 00:24:47,900 --> 00:24:49,980 Madeline: I wonder what you'd confess if you thought you were going to... 240 00:24:50,000 --> 00:24:50,500 Madeline: died 241 00:24:50,500 --> 00:24:55,840 Tom Austin: me I can't bet nothing imagine my embarrassment if I didn't die. 242 00:25:03,580 --> 00:25:07,060 Guests during blackout; turns unresolved: Not guilty but it's lovely atmosphere. 243 00:25:09,260 --> 00:25:09,980 Guests during blackout; turns unresolved: Must be the light. 244 00:25:10,000 --> 00:25:11,520 Guests during blackout; turns unresolved: But the powerhouse of the blink 245 00:25:11,520 --> 00:25:18,840 Paul? (older male guest): reminds me of the night that the entire Boggenkomper family were butchered in their beds. 246 00:25:19,160 --> 00:25:21,740 Harriet? (woman in patterned dress): Oh, Paul, I'm getting frightened. 247 00:25:22,700 --> 00:25:24,840 Guests; exclamations unresolved: No! No! No! Ah! 248 00:25:26,980 --> 00:25:29,660 Guests; exclamations unresolved: Mr. Good heavens! What's that? What can it be? 249 00:25:30,280 --> 00:25:38,860 Guests; exclamations unresolved: [wording uncertain] I'm going to have to do it. 250 00:25:39,580 --> 00:25:40,380 Gregory: I've just done for Misha. 251 00:25:42,340 --> 00:25:45,780 Sally?: Why are you joking? You must be joking. 252 00:25:46,120 --> 00:25:49,860 Gregory: Am I? Step on that veranda. Look down on the beach. 253 00:25:50,000 --> 00:25:51,900 Gregory: You'll see how much of a joke it is. 254 00:25:52,040 --> 00:25:55,140 Sally?: Oh, Greg! Please! Please! 255 00:26:20,720 --> 00:26:24,480 Unidentified distressed voice(s): [wording uncertain] Help! Help! Help! 256 00:26:37,860 --> 00:26:38,640 Madeline: He isn't 257 00:26:38,640 --> 00:26:43,340 Tom Austin: dead. Yes. We 258 00:26:43,340 --> 00:26:48,860 Sally: saw his body washed out to sea. You didn't do it, Greg. You couldn't have 259 00:26:48,860 --> 00:26:49,820 Gregory: done it. Self defense. 260 00:26:50,380 --> 00:26:58,860 Gregory: I swear it was self-defense. No, it wasn't self-defense. I shot him because he wasn't fit to live. I shot him and threw his 261 00:26:58,860 --> 00:27:04,020 Alarmed guests; individual turns unresolved: rotten body over the railing. Grady! He's gone crazy! He'll kill us all! 262 00:27:04,200 --> 00:27:09,980 Tom Austin?: He'll kill us all! Eat still! Greg, you're scaring these girls to death. Now put that gun down. There's the chap. Stop lying. 263 00:27:10,000 --> 00:27:13,060 Gregory: there. So the fact you take me for. 264 00:27:16,340 --> 00:27:20,220 Gregory: Just one boat on this island the key to its battery is in my pocket. 265 00:27:23,160 --> 00:27:26,260 Gregory: Just one gun on this island that's here in my hand. 266 00:27:32,640 --> 00:27:36,080 Gregory: And if anyone thinks of taking it from me, let him think twice. 267 00:27:50,800 --> 00:27:51,160 Barker (butler)?: Yes, 268 00:27:51,420 --> 00:27:53,080 Tom Austin?: sir. Mr. Collin has been murdered. 269 00:27:54,200 --> 00:27:55,080 Barker (butler)?: Very good, sir. 270 00:27:56,820 --> 00:28:00,200 Tom Austin: Get Rogers in that chap that helps him. Get out of the beach and search for the body. 271 00:28:01,000 --> 00:28:02,640 Barker (butler)?: Yes, sir. Thank you, sir. 272 00:28:03,340 --> 00:28:06,000 Tom Austin?: There's a possibility they may have washed ashore. I'll be down here for the time. Oh, Tom, 273 00:28:06,580 --> 00:28:07,660 Sally?: I want to go with you. 274 00:28:13,080 --> 00:28:20,040 Harriet? and Paul?; turn boundaries unresolved: What's the become of ours? The lord in the house was a murderer. Let nature protect you. 275 00:28:22,800 --> 00:28:26,460 Harriet? and Paul?; turn boundaries unresolved: Paul, take care of you, won't Paul? Yeah, good old Paul. 276 00:28:30,000 --> 00:28:40,000 Tom Austin: Come on, Madeleine. Get along upstairs and go to bed. Don't take it so hard, Madeleine. After all, Misha was nothing to us. Come on, Madeleine, dear. We'll 277 00:28:40,000 --> 00:28:45,000 Female guest?: all go up together. And we'll keep the lights burning till morning. If we 278 00:28:45,000 --> 00:28:46,100 Paul? (older male guest): manage to live that long. 279 00:28:50,920 --> 00:29:01,560 Paul? (older male guest): Don't do that. Don't scream so loud, my darling. You might split your silly throat. 280 00:29:02,660 --> 00:29:04,420 Harriet? (woman in patterned dress): Don't talk about it, floats. 281 00:29:11,980 --> 00:29:13,980 Guest; attribution unresolved: [wording uncertain] All together. 282 00:29:43,860 --> 00:29:44,980 Tom Austin: You ready to go, Sally? 283 00:29:45,680 --> 00:29:46,780 Sally: I'll be right with you, Tom. 284 00:29:47,140 --> 00:29:47,300 Tom Austin: Good. 285 00:29:57,260 --> 00:30:00,520 Tom Austin: They're a plucky girl, Sally. One girl and ten thousand. 286 00:30:01,640 --> 00:30:02,620 Sally: I'm Greg's girl. 287 00:30:03,480 --> 00:30:04,420 Tom Austin: He isn't worth it, honey. 288 00:30:04,740 --> 00:30:05,080 Sally: No? 289 00:30:05,900 --> 00:30:09,980 Tom Austin: No, take it from me. I know the type. I haven't been a criminal lawyer all these years. 290 00:30:10,000 --> 00:30:15,800 Tom Austin: for nothing. He's a nightler, soft with easy living. Every nerve in him gone sick. 291 00:30:17,420 --> 00:30:19,880 Sally: What a pal you are when a friend's in trouble. 292 00:30:20,360 --> 00:30:29,980 Tom Austin: I'm your friend Sally, and I know what you've got on your hands with this fellow. He's a murderer for the thrill of it, a weakling. Not fit so much as to touch your... 293 00:30:30,000 --> 00:30:30,460 Tom Austin: little thing. 294 00:30:31,840 --> 00:30:34,080 Sally: Are you trying to make love to me Tom. 295 00:30:35,600 --> 00:30:40,940 Tom Austin: You're the kind of woman a man dreams about. To find you tied up with this rotter. 296 00:30:42,140 --> 00:30:46,060 Sally: I'm glad you warned me. I won't forget. Let's go. 297 00:30:46,700 --> 00:30:47,100 Tom Austin?: Let's go. 298 00:31:27,980 --> 00:31:29,980 Unidentified speaker: Ha ha ha ha ha ha 299 00:32:11,700 --> 00:32:12,380 Gregory: Who's there? 300 00:32:12,660 --> 00:32:14,860 Sally: [wording uncertain] Me. Oh, open the door. 301 00:32:17,500 --> 00:32:23,180 Sally: The break. Get into your clothes quickly. You've got to get out of here. 302 00:32:24,660 --> 00:32:25,740 Gregory: On a night like this? 303 00:32:26,820 --> 00:32:29,440 Sally: Glad you sent me off. Tom ordered him to stay even the lunch. 304 00:32:30,000 --> 00:32:32,720 Sally: So you can't get off the island until police come for you. 305 00:32:33,520 --> 00:32:34,340 Gregory: Tom did that. 306 00:32:34,960 --> 00:32:38,680 Sally: Get into your warmest things and be quick about it. I'll go myself and change. 307 00:32:39,780 --> 00:32:40,380 Gregory: What for? 308 00:32:42,880 --> 00:32:45,400 Sally: You don't suppose I'd let you go alone, do you? 309 00:32:47,120 --> 00:32:49,980 Gregory: But tell me, darling, I'm a murderer. 310 00:32:52,520 --> 00:32:58,860 Sally: You're the man I love, Greg. Whatever you've done. Whatever you are. 311 00:32:59,920 --> 00:33:00,400 Gregory: Dearest. 312 00:33:05,600 --> 00:33:06,700 Gregory: Sally, darling. 313 00:33:22,100 --> 00:33:28,680 Gregory: Darling, I wish you could have seen your face when I came in that window tonight. Said I'd kill Misha. 314 00:33:33,100 --> 00:33:35,000 Sally: What are you laughing at? 315 00:33:36,440 --> 00:33:40,640 Gregory: Darling, don't you know that there has to be a corpse before you can prove there's been a murder? 316 00:33:42,080 --> 00:33:44,320 Sally: But I saw Misha's body there on the rock. 317 00:33:47,740 --> 00:33:49,980 Gregory: You saw Misha's bolster and... 318 00:33:50,000 --> 00:33:51,920 Gregory: an old suit of dress clothes. 319 00:33:52,360 --> 00:33:56,120 Sally: Greg! You mean you didn't kill him? 320 00:33:57,940 --> 00:34:01,600 Gregory: For Pete's sake, why should I drill a hole to my best friend? 321 00:34:03,000 --> 00:34:07,220 Sally: But you're quarrel. What about, Philoban? 322 00:34:07,780 --> 00:34:09,200 Gregory: Why didn't you ask me? What about? 323 00:34:10,080 --> 00:34:21,980 Gregory: Hang if I'd known what to tell you Oh Sweetheart you had it coming to you you and your amateur crime cronies I just had to show you how you go running in circles if you met up with the real thing 324 00:34:21,980 --> 00:34:25,640 Sally: Then it was all fake 325 00:34:25,640 --> 00:34:29,980 Gregory: This year I cooked it up 326 00:34:30,000 --> 00:34:38,520 Gregory: between us the quarrel and the fake corpse that scream in the dark and did you bite Oh baby 327 00:34:38,520 --> 00:34:41,480 Sally: and you went to all this trouble just to prove that I'm a fool 328 00:34:41,480 --> 00:34:49,720 Gregory: darling no just to prove that the best place for your typewriter is down the drain and the best place for you is 329 00:34:50,000 --> 00:34:51,220 Sally: Let me know. 330 00:34:51,800 --> 00:34:52,560 Gregory: Oh, look here, Sally. 331 00:34:55,400 --> 00:35:04,720 Sally: I came into this room, loving you so much. I would have gone away with you even though you were a murderer. I almost wish you were. 332 00:35:05,600 --> 00:35:07,000 Gregory: Oh, come now, Sally. 333 00:35:09,100 --> 00:35:09,900 Sally: And here's your ring. 334 00:35:10,960 --> 00:35:28,820 Sally: Forkeep this time. A fine pair of sports you and me sure were. Sightening the girls to death. Breaking Madeline's heart. Of all the cruel, cruel, stupid, idiotic, small boy monkey fakes that ever were pulled. 335 00:35:31,920 --> 00:35:34,860 Sally: And I never want to see your face again. 336 00:35:35,980 --> 00:35:39,780 Gregory: [wording uncertain] Oh! Sonic, you know I don't exist. Please don't do me a joke. 337 00:35:40,960 --> 00:35:49,220 Sally: A fine joke, you'll find it when you come to explain it to the others. And I won't do one bit of your explaining. Not one little word. 338 00:35:49,720 --> 00:35:49,840 Gregory: OK. 339 00:35:50,000 --> 00:36:07,060 Gregory: Now Sally please I didn't think you'd take it this way where's your sense of humor Sally Sally darling What do you know about that 340 00:36:25,160 --> 00:36:26,560 Unidentified speaker: [wording uncertain] Oh 341 00:36:36,500 --> 00:36:38,680 Gregory: Oh shut up you darn fool. 342 00:36:39,900 --> 00:36:40,740 Misha: Oh it's you. 343 00:36:43,780 --> 00:36:45,320 Gregory: Well cut out the hocus pocus. 344 00:36:45,920 --> 00:36:48,380 Misha: Gregory my friend. You cross me. 345 00:36:50,000 --> 00:36:55,400 Gregory: and I'm so flat I could walk under a snake's belly with a high hat on and an umbrella in my hand. 346 00:36:57,520 --> 00:37:00,440 Gregory: And you've got to come to life again. Right now, too. 347 00:37:01,600 --> 00:37:05,300 Misha: But if I have to come alive so quick, what for did I die? 348 00:37:05,840 --> 00:37:09,980 Gregory (partly quoting Sally): What for? Because I was in it with a dumb... 349 00:37:10,000 --> 00:37:19,300 Gregory (partly quoting Sally): Disney Daisy and of all the crew crew stupid beastly I Never want to see your face again 350 00:37:19,300 --> 00:37:20,780 Misha: my face 351 00:37:20,780 --> 00:37:22,700 Gregory: No, my face. 352 00:37:22,700 --> 00:37:29,980 Misha?; wording unresolved: Oh you would face out You have this says I'm punctured darn good almost right 353 00:37:30,000 --> 00:37:31,840 Misha?; wording unresolved: I'm going to 354 00:37:31,840 --> 00:37:34,680 Gregory: cut out you grittings, Zanny. We've got to give this gag away. 355 00:37:35,680 --> 00:37:41,000 Misha: But Gregory, my friend, I cannot stop being a ghost until I have met once with Tom. 356 00:37:41,560 --> 00:37:45,280 Gregory: It's all up, I tell you. We've got to cut it out. We've had enough of scaring women. 357 00:37:45,940 --> 00:37:49,980 Misha: [wording uncertain] You misunderstand. I haunt nobody but Tom. And you're a man. 358 00:37:50,000 --> 00:37:58,360 Misha: And you should have heard him just now, round you down to Sally. Uh, weakling, criminal, sweet names he called you. 359 00:37:59,860 --> 00:38:09,380 Gregory: Oh, he did, did he? Huh. Just a good pal. Go ahead and hold him. Hold him proper. Make him squeal. 360 00:38:10,000 --> 00:38:10,700 Gregory: I did like that, mister. 361 00:38:11,160 --> 00:38:12,740 Misha: My friend, I see you at breakfast. 362 00:38:14,400 --> 00:38:20,500 Gregory: Here, show off with a smiling face and seaweed in your hair. They'll probably have our heart's blood. 363 00:38:22,380 --> 00:38:26,280 Misha: I will be there with a smiling face and the seaweed in my hair. 364 00:38:29,460 --> 00:38:29,980 Gregory: Good night. 365 00:38:30,000 --> 00:38:31,100 Gregory: Good night, little ghosty. 366 00:38:32,240 --> 00:38:33,880 Misha: Good night, Grady, my friend. 367 00:39:06,880 --> 00:39:09,920 Tom Austin: I don't believe. 368 00:39:10,000 --> 00:39:10,420 Tom Austin: and ghost. 369 00:39:13,020 --> 00:39:17,840 Tom Austin: Especially when I stumble over that dummy that you boys left for it. Have a little hope that so. 370 00:39:18,160 --> 00:39:21,160 Misha: And you have found my poor sacrifice suit of clothes. 371 00:39:21,420 --> 00:39:29,900 Tom Austin: No not Rogers and me just me or rather just I if you prefer your English straight. Anyway I was. 372 00:39:30,000 --> 00:39:37,200 Tom Austin: I was alone when I found the dummy, so I hid it carefully and called the hunter for tonight. I wouldn't spoil your little joke prematurely. 373 00:39:50,000 --> 00:39:54,800 Tom Austin: I'm frozen hunting your corpse that wasn't there. Would you mind getting me a little nipper something? 374 00:39:55,160 --> 00:40:01,080 Misha: Certainly. It makes me so happy to do something for you. Why, 375 00:40:03,940 --> 00:40:09,100 Misha: I even go out and hunt myself. Gladly, if ever you because. 376 00:40:10,000 --> 00:40:17,120 Tom Austin: Well, I hope you'll hunt on a warmer night than this. I wonder if thunder's so. The lighting was terrific. You should've been out there. 377 00:40:18,240 --> 00:40:21,980 Misha: It's a great relief, my friend. You take so well our little job. 378 00:40:22,260 --> 00:40:25,500 Tom Austin: Oh, I can take a joke. I can pull one myself, necessarily. 379 00:40:26,620 --> 00:40:27,080 Misha: Here, then. 380 00:40:27,200 --> 00:40:29,980 Tom Austin: Thanks, Richard. Well, here's to that... 381 00:40:30,000 --> 00:40:34,760 Tom Austin: a corpse and you boys have the morning that is you haven't given the game away you haven't told anyone have you 382 00:40:34,760 --> 00:40:46,700 Misha: not yet nobody has seen me alive since my thought tragic death except Greg I make dramatic appearance at breakfast we see weed in my hair 383 00:40:46,700 --> 00:40:49,080 Tom Austin: congratulations perfect 384 00:40:50,000 --> 00:41:00,260 Tom Austin: Every little detail carefully thought out. Motive for murder, well established by that quarrel before witnesses and those threats. You're a good actor, Misha. 385 00:41:01,220 --> 00:41:03,560 Misha: Good? My dear chap, I'm great! 386 00:41:04,680 --> 00:41:09,440 Tom Austin: There's Greg's confession before witnesses. Perfect. Perfect! 387 00:41:10,120 --> 00:41:11,360 Tom Austin: Now you're really very clever. 388 00:41:11,980 --> 00:41:14,680 Misha: I will see what your Americans call hot. 389 00:41:15,580 --> 00:41:16,540 Tom Austin: Yeah, hot. 390 00:41:18,100 --> 00:41:19,660 Misha: Everybody tell me that. 391 00:41:21,440 --> 00:41:29,620 Tom Austin: Yeah, so hot that, uh... You know, Misha, if anything should happen to you tonight, Gregory will go to the chair for your murder. 392 00:41:32,100 --> 00:41:33,720 Misha: Nifty little idea. 393 00:41:36,140 --> 00:41:41,560 Tom Austin: Yeah, nifty. Suppose someone had a grudge against you, Misha. 394 00:41:43,500 --> 00:41:46,940 Misha: But is it possible? Everybody loved me. 395 00:41:49,020 --> 00:41:49,980 Tom Austin: At the same time... 396 00:41:50,000 --> 00:41:51,360 Tom Austin: and a yen for Sally. 397 00:41:52,960 --> 00:41:55,720 Misha: Oh, to have a yen for Sally. That's easy. 398 00:41:58,820 --> 00:42:07,620 Tom Austin: What a chance of that person to bump you off, let Gregory go to the chair and leave Sally free. Satisfying love and hate all in one crack, eh? 399 00:42:10,800 --> 00:42:20,680 Misha: You must give that to Sally for the plot of her next horror story. Well, I guess I go up to bed. 400 00:42:22,100 --> 00:42:25,380 Tom Austin: Wait. I said wait, mister. 401 00:42:30,280 --> 00:42:33,400 Misha: What have you got there? That's Greg's gun. 402 00:42:34,700 --> 00:42:36,380 Tom Austin: That should cinch the case against Greg. 403 00:42:39,560 --> 00:42:42,660 Misha: So, do you think you have a grudge against me, Tomo? 404 00:42:42,920 --> 00:42:48,120 Tom Austin: I was in the music room tonight when you were with my wife. 405 00:42:53,400 --> 00:42:57,580 Misha: So... fair enough. You love Sally, and Madeline, she loves me. 406 00:42:59,060 --> 00:43:04,300 Tom Austin: But my wife is my wife. And no man has the right to laugh at me. 407 00:43:04,940 --> 00:43:06,280 Misha: I do not laugh at you, Tom. 408 00:43:06,880 --> 00:43:07,540 Tom Austin: But you did. 409 00:43:10,500 --> 00:43:12,060 Tom Austin: Why don't you laugh now? 410 00:43:15,760 --> 00:43:20,400 Misha: Well, I will not seem at length again. Come now. You would not kill. 411 00:43:21,060 --> 00:43:27,940 Tom Austin: Me? Oh, Jesus. I wouldn't kill you. Greg killed you. 412 00:43:30,920 --> 00:43:33,080 Tom Austin: Greg is going to die for killing you. 413 00:43:36,240 --> 00:43:37,360 Misha: But you are crazy man. 414 00:43:37,640 --> 00:43:38,620 Tom Austin: Don't raise your voice. 415 00:43:39,840 --> 00:43:42,340 Misha: But you see, you shoot the whole house here. 416 00:43:45,220 --> 00:43:49,980 Tom Austin: I never hear anything over that thunder. And the only thing that will force... 417 00:43:50,000 --> 00:44:00,720 Tom Austin: Because my hand is for you to open your mouth. Now pray and wait for that next clap of thunder. 418 00:45:21,300 --> 00:45:29,160 Women at breakfast; individual turns unresolved: This food looks grand, but I haven't any appetite at all. I never close my eyes and live long nights. I doubt if I live for today. 419 00:45:30,440 --> 00:45:47,220 Women at breakfast; individual turns unresolved: Well, you know, as long as you're up, flip me a teeny weeny sausage or two, but I make it free. I've simply got to tempt my appetite. If you know how my heart is beating... It isn't your heart. It's your artery's hardening. Your 420 00:45:47,220 --> 00:45:49,100 Women at breakfast; individual turns unresolved: great trouble is you have only one stomach. 421 00:45:50,240 --> 00:45:54,920 Women at breakfast; individual turns unresolved: You've had the last of my digestive tablets. Hello, everybody. Hello, 422 00:45:55,200 --> 00:45:59,560 Paul? and breakfast guests; individual turns unresolved: Prada. Morning, Paolo. Where have you been? I'd like to know. Up along the beach. 423 00:46:01,880 --> 00:46:06,240 Paul? and breakfast guests; individual turns unresolved: Cheerful sort of morning. Cheerful sort of party. 424 00:46:08,680 --> 00:46:09,980 Paul? and breakfast guests; individual turns unresolved: Reminds me of the... 425 00:46:10,000 --> 00:46:18,840 Paul? and breakfast guests; individual turns unresolved: breakfast table when Lizzie Privaslau poisoned all her family with ant taste. 426 00:46:21,680 --> 00:46:28,460 Paul? and breakfast guests; individual turns unresolved: Come on, you'll break something. 427 00:46:31,240 --> 00:46:37,040 Guests at breakfast; individual turns unresolved: If I ever get through this day... If you can get through that breakfast, you can get through anything. 428 00:46:39,020 --> 00:46:46,540 Tom Austin?: Hello, everybody. Come on, dear. Unhand that tumbler. My need is greater than thine, old thing. 429 00:46:51,900 --> 00:47:01,100 Tom Austin / Paul?; turn boundaries unresolved: How about a little drink, my friend? Thanks, I never touch a thing. How are you, sir? How do you like to cut yourself a nice little 430 00:47:01,100 --> 00:47:08,980 Female guest?: slice of throat? Stop it, will you? Here we are, all sitting in the very shadow of death with that bloodthirsty maniac of... 431 00:47:10,000 --> 00:47:12,620 Sally?: gone far enough. I'm going to tell you all. 432 00:47:16,180 --> 00:47:29,820 Gregory: Well good morning that he I represent the merry mergers weekly. Oh you're not interested in my fancy needlework well perhaps you'd like to see my new line of can't eat it I put them up myself. 433 00:47:30,000 --> 00:47:30,780 Female guest?: No. No. 434 00:47:32,100 --> 00:47:37,580 Gregory: Dear me, Bill, you're not yourself this bright and beautiful morning. Who are you? Not a word, old man. 435 00:47:37,700 --> 00:47:39,940 Male guest?: Not a word. Of course I remember you. You're 436 00:47:39,940 --> 00:47:45,780 Gregory: Sherlock Holmes, demon sloot for Banker Street. How is Mrs. Holmes? I trust that little ratchet's all cleared up on her chest. 437 00:47:50,000 --> 00:47:53,400 Gregory: Just a popular favorite. Have some 438 00:47:53,400 --> 00:47:55,740 Tom Austin?: breakfast grades, thanks, old man. Don't mind if I do. 439 00:47:56,420 --> 00:48:09,900 Gregory: What's for breakfast? Oh, say it ain't true. Here's some little eggs. Looking up at me with their big yellow eyes, saying, daddy, eat me. Oh! Patient little eggs, patient. And all smuthered in cream. 440 00:48:11,820 --> 00:48:12,460 Madeline? / guests; turn boundaries unresolved: I'm going 441 00:48:12,460 --> 00:48:22,980 Tom Austin?: to 442 00:48:22,980 --> 00:48:29,980 Gregory?: sit at the same table with you. Go, go! Better take you to your own room. Well, what do all you merry little murder... 443 00:48:32,360 --> 00:48:32,860 Gregory?: I 444 00:48:32,860 --> 00:48:42,020 Breakfast exchange; attribution unresolved: know when having good old me. I'll never forget you. Well he said he dropped in on us after breakfast. 445 00:48:50,000 --> 00:48:51,460 Gregory?: [wording uncertain] with a glory villain I have. 446 00:49:20,920 --> 00:49:25,380 Rogers (sailor): The waves washed them in, sir. Right under the veranda. 447 00:49:30,000 --> 00:49:30,880 Gregory: It can't be so. 448 00:49:33,140 --> 00:49:41,100 Gregory: He was alive. I left him alive. He must have fallen off the rocks. That's it. He must have been drowned. 449 00:49:42,380 --> 00:49:46,660 Rogers (sailor): Shot clean through the head. Clean as a whistle. 450 00:49:48,600 --> 00:49:49,040 Gregory: What? 451 00:49:54,760 --> 00:50:09,400 Gregory: I didn't do it. I left him alive. Alive. There in the living room. Hours after I told you that fool story about killing him. I never killed Misha. It was all a crazy stunt we cooked up between us. A stupid hoax. 452 00:50:10,600 --> 00:50:28,420 Gregory: It was a gag, see? A gag. Just because you were also thrilled with murders, we wanted to trick you. It was just the gag. Misha's my friend, my very best friend. I loved him. Everybody loved him. He was my pal. 453 00:50:29,220 --> 00:50:29,980 Tom Austin: Trying to back out on you. 454 00:50:30,000 --> 00:50:31,980 Tom Austin: own confession while I'm afraid it won't wash. 455 00:50:32,320 --> 00:50:32,840 Gregory: Well, I tell you. 456 00:50:33,020 --> 00:50:34,000 Sally: It's true what he's telling you. 457 00:50:34,140 --> 00:50:35,600 Gregory: Oh Sally, darling, you believe me. 458 00:50:35,660 --> 00:50:38,180 Sally: It's a hoax. He told me so last night. 459 00:50:38,600 --> 00:50:42,820 Tom Austin: And did you yourself see Misha alive after he confessed killing him? 460 00:50:43,960 --> 00:50:46,260 Sally: No, but Greg told me. 461 00:50:46,420 --> 00:50:47,780 Tom Austin: Oh, and of course you believed him. Well. 462 00:50:48,200 --> 00:50:49,720 Gregory: It's the truth, I tell you. It's the truth. 463 00:50:51,240 --> 00:50:52,980 Tom Austin?: Easy, Greg. 464 00:50:55,320 --> 00:51:02,920 Gregory: Easy. The gun... That's it? The gun will prove it. There's only 465 00:51:02,920 --> 00:51:03,380 Male guest?: one shot. 466 00:51:06,360 --> 00:51:09,280 Male guest?: Wait. Now hold on there. 467 00:51:12,080 --> 00:51:20,020 Tom Austin?: Madeline, madeline, you must leave. Please come on over here. You can't look at 468 00:51:20,020 --> 00:51:29,960 Guests addressing Madeline; turns unresolved: me. 469 00:51:48,580 --> 00:51:49,980 Unidentified speaker: [wording uncertain] I'm sorry. 470 00:51:56,620 --> 00:52:07,600 Gregory: My gun was here I tell you here in this table I left the gun here I was talking to me and I put the gun on the table it's been taken away somebody's taken my gun and shot Misha with it 471 00:52:07,600 --> 00:52:09,980 Paul? (older male guest): that's possible down don't you. 472 00:52:10,000 --> 00:52:10,700 Gregory: You see, it's possible. 473 00:52:11,000 --> 00:52:12,620 Tom Austin: It's much more possible that he hid the gun himself. 474 00:52:12,920 --> 00:52:13,000 Gregory: What? 475 00:52:13,200 --> 00:52:15,760 Tom Austin: It's a damning piece of evidence against him. Come on, Greg. Now, where'd you hide it? 476 00:52:15,860 --> 00:52:16,760 Gregory: I never hid it. 477 00:52:17,420 --> 00:52:20,960 Tom Austin: Oh, come, come now. What do you think we are? You shot Misha. You know you shot Misha. 478 00:52:21,000 --> 00:52:22,020 Gregory: No, no, I didn't. 479 00:52:22,220 --> 00:52:23,720 Tom Austin: But we heard your shot. We saw the body. 480 00:52:24,120 --> 00:52:25,740 Gregory: It was a dummy. I tell you, nothing but a dummy. 481 00:52:26,340 --> 00:52:26,740 Tom Austin: Then where's 482 00:52:30,000 --> 00:52:30,960 Gregory: I didn't kill him. 483 00:52:31,820 --> 00:52:34,900 Tom Austin: We all heard your confession. Don't try to back out on him now. You killed him. 484 00:52:35,640 --> 00:52:36,540 Gregory: I tell you I didn't. 485 00:52:36,700 --> 00:52:40,180 Tom Austin: You shot him. You looked your friend in the face and shot him down like a dog. 486 00:52:40,960 --> 00:52:41,980 Gregory: I didn't. I didn't. 487 00:52:42,120 --> 00:52:45,240 Tom Austin: Don't lie to me. We're going to get the truth out of you. You killed Misha. 488 00:52:46,040 --> 00:52:46,980 Gregory: I didn't, I tell you. 489 00:52:47,720 --> 00:52:49,980 Tom Austin: You dare tell me that. Sitting on the very couch. 490 00:52:50,000 --> 00:53:00,900 Tom Austin: in the very house when he died? By your treacherous lying criminal, you murderous moron. Killing for the kick of it, shooting your best friend, your best friend for the thrill of it, well, you'll get a thrill out of this. You're going to care 491 00:53:00,900 --> 00:53:01,980 Tom Austin: for this. All of sharks. 492 00:53:02,640 --> 00:53:04,860 Paul? (older male guest): Now stop writing him, Tom. Haven't you any mercy? 493 00:53:05,140 --> 00:53:07,600 Tom Austin: Yes, for poor Misha. But not for the man who killed him. 494 00:53:07,720 --> 00:53:08,500 Gregory: I didn't, I tell you. 495 00:53:08,680 --> 00:53:09,720 Paul? (older male guest): Now hold your tongue, Greg. 496 00:53:10,300 --> 00:53:16,960 Paul? (older male guest): He's not the district attorney. Your stuffed shirt. Now sit tight. I'll get you a drink. 497 00:53:17,500 --> 00:53:23,580 Tom Austin: I'm running as a fan, Paul. You get in my hair. Keep out of here, Baca. 498 00:53:24,500 --> 00:53:29,900 Barker (butler): Very good, sir. But I take my orders from Mr. Gregory's there. Coffee? 499 00:53:30,000 --> 00:53:31,000 Paul (older male guest)?: Say do you. 500 00:53:36,720 --> 00:53:40,200 Paul (older male guest)?: That's the second time within 15 minutes you 501 00:53:40,200 --> 00:53:49,820 Tom Austin?: do that again and I'm going to pop you right squaring your nose my need is greater than I know man we must rig up some way to get in touch with the mainland and bring in the police. The most. 502 00:53:50,000 --> 00:53:55,280 Gregory: I'm not efficient, Tom. Couldn't do better if I was your worst enemy. Thanks, Barker. No more coffee. 503 00:53:59,740 --> 00:54:01,760 Gregory: I'll title upstairs and pack my going away bag. 504 00:54:02,460 --> 00:54:04,140 Paul (older male guest)?: That's the procedure, I believe. Here you are, 505 00:54:04,280 --> 00:54:09,440 Gregory: old sock. Give it to Tom. The more of my liquor he drinks, the better he can devil me. 506 00:54:12,600 --> 00:54:15,620 Gregory: You believe me, Paul, don't you? Listen, Greg, 507 00:54:16,280 --> 00:54:19,800 Paul (older male guest): you're my friend first, whatever else you may be. 508 00:54:21,640 --> 00:54:24,960 Gregory: Thanks. But you don't believe me. 509 00:54:41,140 --> 00:54:44,520 Gregory: Doesn't anybody believe me? Sally. 510 00:54:50,000 --> 00:54:55,200 Gregory: Do that. Look at me. Buck up, old dear. It is. 511 00:54:55,660 --> 00:55:04,960 Sally: Don't touch me. No, no, no, I tell you. No. Don't let him touch me. Don't let him come near me. 512 00:55:05,440 --> 00:55:09,720 Tom Austin / guests; turns unresolved: [wording uncertain] Sorry. I'll let her alone, Vic. All right, I'll put you something under the other hand. 513 00:55:11,740 --> 00:55:21,340 Sally: I loved him so. I let myself love him. I'm all soiled with it. I'm degraded. 514 00:55:23,620 --> 00:55:27,840 Sally: What's to become of me? What's to become of me? 515 00:55:30,000 --> 00:55:30,600 Gregory?: Sally, please. 516 00:55:32,800 --> 00:55:35,960 Tom Austin: There, there, there. He isn't worth it. I know, I 517 00:55:35,960 --> 00:55:41,660 Sally: know. I knew all along, but I didn't have steps enough to listen to 518 00:55:41,660 --> 00:55:43,740 Tom Austin: him. Oh, there, there, there. Sally, dear. 519 00:55:45,980 --> 00:55:49,980 Sally: I was too proud. I should have known all... 520 00:55:54,960 --> 00:56:01,440 Sally?; wording unresolved: [wording uncertain] Thank you. For all that might. For all I push aside. 521 00:56:04,300 --> 00:56:04,900 Gregory?: Stop 522 00:56:04,900 --> 00:56:09,460 Tom Austin: her. Let her go. Let her cry it out. 523 00:57:59,640 --> 00:58:04,180 Tom Austin: Sally. Sally, dear. 524 00:58:06,600 --> 00:58:07,120 Tom Austin: Sally. 525 00:58:11,160 --> 00:58:12,040 Tom Austin: Sally dear. 526 00:58:14,380 --> 00:58:17,060 Sally: It's all right, Tom. Please go away. 527 00:58:18,140 --> 00:58:19,320 Tom Austin: It's not me. Come on out. 528 00:58:19,900 --> 00:58:21,120 Sally: Oh, let me alone. 529 00:58:22,480 --> 00:58:25,380 Tom Austin: I'll give you two minutes and I'm coming in to fetch you. Now be a good girl, love. 530 00:58:26,320 --> 00:58:29,620 Sally: All right. I'd like to see you, Tom. 531 00:58:30,000 --> 00:58:35,720 Sally: Something to tell you. 532 00:58:41,960 --> 00:58:45,260 Sally: Be long now. I'm just bathing my eyes. 533 00:59:02,180 --> 00:59:03,580 Tom Austin?: [wording uncertain] Okay. 534 01:00:15,440 --> 01:00:23,740 Sally: It was awfully sweet of you to come up, Tom. I was just getting ready to go away. [wording uncertain] That's always a lonely thought of time, isn't it? 535 01:00:24,220 --> 01:00:24,840 Tom Austin: Where are you going? 536 01:00:26,300 --> 01:00:27,620 Sally: Oh, a long way. 537 01:00:29,620 --> 01:00:29,980 Tom Austin: Whoever... 538 01:00:30,000 --> 01:00:31,160 Tom Austin: I'm going with you. 539 01:00:31,660 --> 01:00:33,720 Sally: Oh, you don't know what you're saying. 540 01:00:34,060 --> 01:00:36,920 Tom Austin: Oh, Sally, Sally, do you know I'm crazy about you? 541 01:00:37,840 --> 01:00:39,980 Sally: Poor Tom. Dear Tom. 542 01:00:40,280 --> 01:00:43,520 Tom Austin: Sally, ever since I first laid eyes on you, I've been mad to hold you in my arms like this. 543 01:00:43,520 --> 01:00:44,260 Sally: Please, please. 544 01:00:44,360 --> 01:00:46,280 Tom Austin: Now kiss me, Sally. You know you love me. 545 01:00:46,520 --> 01:00:48,700 Sally: It's all too late. Too late. 546 01:00:50,860 --> 01:00:57,600 Tom Austin: Too late. No such word in my vocabulary. I'm not a weakling like Greg. 547 01:00:59,780 --> 01:01:03,920 Tom Austin: What I want, I go after and I pretty generally get it. 548 01:01:05,020 --> 01:01:06,300 Sally: You're a man, Tom. 549 01:01:06,580 --> 01:01:07,920 Tom Austin: I'm your man, Sally. 550 01:01:08,920 --> 01:01:09,980 Sally: If I'd only know... 551 01:01:10,000 --> 01:01:12,840 Sally: Oh, I've made such a wreck of my life. 552 01:01:13,640 --> 01:01:15,300 Tom Austin: Well, we'll pick up the pieces together. 553 01:01:16,280 --> 01:01:19,180 Sally: No, no, I'm through, I tell you. Through. 554 01:01:23,860 --> 01:01:25,600 Sally: How does one write a will, Tom? 555 01:01:34,380 --> 01:01:34,940 Tom Austin?: Hmm? 556 01:01:34,940 --> 01:01:38,600 Sally: It's legal if it's all in handwriting without a witness, isn't it? 557 01:01:39,780 --> 01:01:43,840 Tom Austin: What's all this junk about a will? You've got too much sense to. 558 01:01:44,780 --> 01:01:56,520 Sally: Please. It was awfully sweet of you to come up here. Seeing you has given me courage. But won't you run along downstairs now? Don't you see I want to rest? 559 01:01:56,720 --> 01:01:58,880 Tom Austin: There'll be no nonsense about suicide. 560 01:02:00,000 --> 01:02:01,520 Tom Austin: You're gonna live, you understand? You're gonna live for me. 561 01:02:01,960 --> 01:02:02,700 Sally: Oh, please. 562 01:02:03,800 --> 01:02:07,300 Tom Austin: And you're gonna forget all about Greg. I'm going to make you forget all about him. 563 01:02:07,620 --> 01:02:11,320 Sally: Yes, I'm going to forget him, all right. But in my own way. 564 01:02:14,420 --> 01:02:21,580 Tom Austin: Well, I've loved you too long, Sally. I've been through too much for you, but you're worth it to me. You'll make it up for him, and I want you to forget him. 565 01:02:21,660 --> 01:02:24,780 Sally: Oh, let me go. I want to forget everything. 566 01:02:26,400 --> 01:02:29,980 Tom Austin?: [wording uncertain] I had too much. I'm sorry. But don't talk nonsense. I was... 567 01:02:30,000 --> 01:02:31,040 Tom Austin?: I want you to forget everything. 568 01:02:32,920 --> 01:02:38,400 Sally: Here's to forgetting everything. What was, what might have been. 569 01:02:45,940 --> 01:02:47,300 Sally: Who drank this? 570 01:02:47,900 --> 01:02:49,700 Tom Austin: I did, this rotten whiskey. 571 01:02:50,540 --> 01:02:51,700 Sally: You drank! 572 01:02:53,620 --> 01:02:55,320 Tom Austin: What's the matter? What is it? 573 01:02:55,500 --> 01:02:58,860 Sally: I mixed it for myself. Poison. 574 01:03:00,000 --> 01:03:01,260 Sally: You drank poison. 575 01:03:03,380 --> 01:03:04,180 Tom Austin: Poison. 576 01:03:05,700 --> 01:03:22,240 Sally: Help! Help! Help! Tom drank poison! Help! Help! Tom drank poison! Poison! Tom's taken poison! Tom's taken poison! Come on up here quickly! Come on up here quickly! 577 01:03:37,980 --> 01:03:52,000 Guests / Sally; turns unresolved: What did he take? 578 01:04:00,000 --> 01:04:00,200 Guests / Sally; turns unresolved: [wording uncertain] I'm going to kill. 579 01:04:00,520 --> 01:04:01,580 Sally: I mixed it for myself. 580 01:04:01,780 --> 01:04:02,560 Guest; unidentified: Get an antidote quickly. 581 01:04:02,780 --> 01:04:06,920 Sally: There isn't any antidote. Not here. There's nothing here. What have I done? What have I done? 582 01:04:08,100 --> 01:04:12,420 Tom Austin / guests; turns unresolved: [wording uncertain] Let me die. Water. Water. Hurry. Water. Water. 583 01:04:14,660 --> 01:04:15,620 Barker (butler): Here you are, sir. 584 01:04:15,900 --> 01:04:17,160 Paul?: Steady, Tom. Oh, man, steady. 585 01:04:18,500 --> 01:04:22,360 Tom Austin: Oh, Greg. I want Madeline. Madeline. Madeline. 586 01:04:22,520 --> 01:04:24,200 Guests; turns unresolved: Hurry. Madeline. 587 01:04:24,760 --> 01:04:25,520 Madeline?: Right here, Tom. 588 01:04:25,640 --> 01:04:28,360 Tom Austin / guests; turns unresolved: Oh, oh, oh. What have I done? Oh, there. 589 01:04:30,360 --> 01:04:34,280 Tom Austin: I'm going to die, and I want to die clean. I killed Misha. I killed him. 590 01:04:34,420 --> 01:04:38,260 Guests; turns unresolved: What? [wording uncertain] Well, the ordinary cuss. Get every word. 591 01:04:38,480 --> 01:04:51,760 Tom Austin: I killed him last night with Greg's gun. Last night in the living room. Greg's joke gave me the idea. I killed him, I can prove it. With Greg's gun, I can prove it. 592 01:04:51,800 --> 01:04:53,040 Sally?: Listen to this. Listen, listen. 593 01:04:53,220 --> 01:04:55,700 Paul?: Where's that gun? Where did you chuck it, you skunk? 594 01:04:56,000 --> 01:04:58,200 Tom Austin: I threw it under Greg's window in the bushes. 595 01:04:58,740 --> 01:04:59,720 Rogers?; wording uncertain: [wording uncertain] Oh, I didn't find it. I know them bushes. 596 01:05:00,340 --> 01:05:04,780 Tom Austin: Greg's innocent. Greg's innocent, now I can die. 597 01:05:07,440 --> 01:05:10,300 Sally: Come out of that. You're not dying. 598 01:05:10,740 --> 01:05:13,060 Gregory?: Why, Sally. What do you mean? 599 01:05:13,060 --> 01:05:15,780 Sally: There wasn't one drop of poison in that drink. 600 01:05:15,940 --> 01:05:16,200 Tom Austin?: What? 601 01:05:16,440 --> 01:05:17,460 Sally: Not one drop. 602 01:05:17,700 --> 01:05:18,080 Guest; unidentified: What's that? 603 01:05:18,520 --> 01:05:28,820 Sally: It was [somnol?]. A sedative. A good, stiff dose. Plus your imagination. Understand? Just enough to make you good and sick. 604 01:05:31,020 --> 01:05:32,200 Sally: You're not dying. 605 01:05:32,780 --> 01:05:35,940 Tom Austin: No poison? A trick? What'd I say? What'd I say? 606 01:05:36,040 --> 01:05:41,200 Paul?: You said a plenty. And we all heard you. And we'll swear to it. 607 01:05:41,400 --> 01:05:44,220 Guest; unidentified: I'll say we will. Blaming it all on Greg? 608 01:05:44,640 --> 01:05:51,980 Paul?: Come on. Get up here, Tom. You're well enough to go where you were aiming to send Greg. 609 01:05:52,300 --> 01:05:56,120 Tom Austin: No, let me go. Give me a drink, Barker. You got me licked. 610 01:05:56,620 --> 01:05:59,900 Guests; turns unresolved: Did you ever hear of such a thing? I always suspected Tom. 611 01:06:00,000 --> 01:06:02,000 Gregory?: Sally, how did you ever get wise? 612 01:06:02,900 --> 01:06:11,400 Sally: I opened Misha's clenched hand. I made myself do it. And inside, I found this button. 613 01:06:13,000 --> 01:06:18,420 Rogers?: [wording uncertain] Yes, and I saw her take it out in his hand. So did this fellow's wife. 614 01:06:18,800 --> 01:06:20,880 Gregory?: What about the button? Where'd it come from? 615 01:06:21,440 --> 01:06:27,940 Sally: Well, buttons don't grow on rocks. So I knew that Misha wasn't murdered outside the house. 616 01:06:28,680 --> 01:06:29,980 Sally: as Greg told us in his... 617 01:06:30,000 --> 01:06:46,060 Sally: [fake?] confession, but inside. This button came off the couch in the living room. I looked and saw where it had been freshly pulled off. So it was on that couch that Misha died. And the man who knew he died there must have been 618 01:06:46,060 --> 01:06:48,760 Sally: his murderer. Tom knew it. 619 01:06:49,340 --> 01:06:49,920 Gregory?: What do you mean? 620 01:06:50,540 --> 01:07:00,020 Sally: He told us this morning when he had you there on the couch giving you the third degree. Don't you remember? You dare to tell me that? He shouted at you, 621 01:07:00,000 --> 01:07:01,720 Sally: Sitting on the very couch where? 622 01:07:01,900 --> 01:07:03,020 Paul?: Well, I'll be. 623 01:07:03,400 --> 01:07:15,820 Sally: He caught himself up quick and changed to very house where. But he said couch first. Tom knew where Misha died. So I knew that Tom was Misha's murderer. 624 01:07:16,680 --> 01:07:18,440 Gregory: Darling, why didn't you say so before? 625 01:07:19,380 --> 01:07:29,060 Sally: A button, a slip of the tongue. What's that against your own confession? I had to make Tom confess to save your silly neck. 626 01:07:29,480 --> 01:07:29,980 Gregory?: What caused... 627 01:07:31,840 --> 01:07:45,380 Sally: He told us himself last night. Not many men would care to shuffle off with a guilty secret in his heart, remember? And Madeline told us that he confessed to everything the time he had the flu and thought he was going to die. So 628 01:07:45,380 --> 01:07:49,440 Sally: I tried putting the fear of death into him. And it worked. 629 01:07:50,000 --> 01:07:52,100 Gregory: Well, how did you think that fast? 630 01:07:54,700 --> 01:07:58,840 Sally: I learned the trick writing thrillers. Dime novels. 631 01:08:01,140 --> 01:08:01,240 Sally: Trash. 632 01:08:08,800 --> 01:08:19,980 Gregory: I give in. I don't deserve you in a thousand years. Come here. Wonderful, beautiful Sally. Detect all you want. 633 01:08:21,080 --> 01:08:23,160 Gregory: And I hope all our ten children are detectives.